Paganello 2005: Gli Interpreti Principali – 2

Antonio Cusma’ Piccione

Antonio Cusmá Piccione, insomma, Ë un nome importante.

Voglio dire, quanti di noi hanno un doppio cognome, di cui uno con accento?

Bisogna saperlo portare, un cognome cosÏ.
E si possono fare 2 scelte.
Dirsi: con un cognome cosÏ minimo minimo mi devo laureare alla Bocconi, farmi un master in scienze della comunicazione orientale (chissá se esiste) e menarmela con mega-cellu-sat-pho-video-xband, giacca Armani ecc.
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Paganello 2005: Gli Interpreti Principali – 1

Andrea Meola


Ogni giocatore mi richiama un aggettivo. Una sensazione. Clay Ë energia pura. Matteo Ë volo. Fabio Ë fluiditáÖ

Il Paganello 2005 Ë vicinissimo. Spaventosamente vicino.
Ed allora, perchË non conoscere un pÚ meglio alcuni dei partecipanti di questa edizione?

ProverÚ a fare qualche scheda dei giocatori. Oh, sono schede personali e assolutamente “dissociate” da ogni tipo di “classifica”…

ComincerÚ con uno dei giocatori pi˘ “affascinanti” del panorama italiano:

Andrea Meola Ë un campione. Non perché vince. Non solo, almeno. Lo Ë perché, semplicemente, ha quelle doti (innate) grazie alle quali il gioco perde connotati ìfisiciî e rientra fra quei semplici ìmiracoliî di bellezza estetica.
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The Shrednow Stock Porfolio

No get-rich quick schemes here, just a peek at the financial solvency of some companies that have supported freestyle:

Budweiser: Sponsor of the Bud Light Team in the mid-1980’s.

Dupont: Ever wonder where the plastic for the discs comes from? DuPont is a leading manufacturer of Low Density Polyethylene pellets, which are used to manufacture discs.

K2: sponsor of the 1998 and 2000 FPA World Championships. Winners were lucky enough to receive a pair of inline skates as part of their prize package.

Krazy Glue is part of privately-owned Borden Chemical.

Nike: Shoes, sunglasses and more. Broadcast a pivotal commercial in 2003 that ignited interest in freestyle throughout Europe.

Oakley Sunglasses

Ray-Ban Sunglasses: Owned by Luxottica of Milano.

Rollerblade: Part of the world dominating empire of Benetton.

2004 Year-End Open Rankings

When I compile the rankings each month, I see a lot of slow movement. Players drifting up and down in little waves, with a few big splashes of rising or retiring players making sudden moves. It’s generally very calm and orderly.

For this year’s 2004 rankings list, I decided to add information about each player’s rank on the 2003 year-end list. Taking a step back from the month-to-month rankings revealed just how much of a revolution our sport is experiencing. Dozens of new players entering the list. Some outrageous upward movement by emerging stars. Looked at year-by-year, the rankings is no calm pond. It’s a roiling, raging rapids.

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Women’s Rankings – 2004 Year-End List

2004 Year-End Freestyle Flying Disc Women’s Rankings
(tournaments from January 1, 2003 to January 1, 2005)

Rank | Player | Best 5 Results | Events Played

1 Hunrichs Silvey, Lisa (USA)            1600.00            13
2 Kruger, Cindy (USA)            1400.00            17
3  Graves, Anne (USA)            1025.00            13
4  Lowry, Mary (USA)            1025.00            6
5 Sanchez, Bethany (USA)            1005.00            13
6 Daniels, Lori (USA)            925.00            8
7 Robbins, Judy (USA)            843.75            5
8 Bergman, Sarah (USA)            760.75            6
9 Hagenbjšrk, Karolina (SWE)            705.75            4
10 Almljung-Tšrngren, Linda (SWE)            630.75            4
11 Yaniv, Hila (ISR)            571.25            5
12 Titcomb, Qxhna (USA)            517.00            3
13T Mossavarrahmani, Gohar (SWE)            450.00            3
13T Mossavarrahmani, Nilofaar (SWE)            450.00            3
15 Schiller, Amy (USA)            376.50            5
16 Pardo, Renee (USA)            253.00            3
17 Bogenhagen, Terry (USA)            220.00            3
18 Trail, Melissa (USA)            143.16            5
19  Goh, Anne (USA)            129.00            3
20T Carreiro, Amanda (USA)            125.00            1
20T Kenny, Cheryl (USA)            125.00            1
20T Morales, Hilda (USA)            125.00            1

The Future Of Fake Nails

Fresh in from Japan, the latest fashion statement – Apple logo fake nails. I’m still waiting for nails with an embedded LoJack tracker so I can find them when they burrow under the grass at the worst moments.

Don’t forget to participate in the “what kind of nails do you use?” poll on the left.

Travelling In 2005? Airfares Dropped Dramatically Today

Now is the time to book your tickets, if you can plan that far ahead. Airlines and booking organizations are having some unbelievable sales.

Orbitz is giving away a Blackberry 6710 cellphone/organizer/wireless web thingy ($99 value) when you book anything. The catch? Blackberries need service to work, so you have to get a plan ($29.99/month + $35 activation fee + $9.99 shipping minus $85 rebate – got that?). NOTE: This deal has expired, but try this one for some great Florida (aka Jam With Paul Kenny) fares:

Airlines like Delta, JetBlue and American announced some amazing (foolhearty?) sales today – Delta’s fares are 50% off. You can book through CheapTickets.com or Orbitz. I saw a Paganello fare from the West Coast to Bologna for less than $700, a cross-country round trip to the Baton Rouge jam (February 5-7) for $314, to Jammers for $285 and a round trip to Seattle for Worlds (July 29-31) of about $200. Dates of events are on the FPA schedule.

If you’ve got the credit or cash, and you know you’re going on the road, think about booking now.

What Is The Role Of The FPA?

These are some ideas I have shared with the FPA Board.

How can the Freestyle Players Association improve in its role as an educational organization? In a small organization with limited resources, how can we go beyond competitions to reach potential freestylers and fans? How can we grow memberships so the FPA can be more ambitious in spreading the jam? What do we say when a potential benefactor asks what the FPA does? What is its story?

The FPA has accomplished much over the years, but its potential goes far beyond sanctioning tournaments, writing rules or even publishing a website. The future of the FPA is as a catalyst for freestylers and lovers of freestylers to get things done. The FPA has the potential to enable individuals to grow our sport, to spread the jam.

The FPA needs to consider a fundamental shift in how it operates in order to reach its potential. Until now, the organization has relied on volunteers to handle all its programs. If the FPA is to take freestyle out in the world and become more than a small club, it cannot rely on unpaid work.

Insisting on volunteerism is a dead end. Volunteer projects are wonderful, but in the end there is no incentive for quality, meeting deadlines or even finishing. People need to be compensated for their time, and that takes nothing away from all of us who have poured our hearts and souls into FPA projects over the years. On the contrary, making this shift honors all the previous volunteer work by building on it, by decentralizing outreach efforts and laying the groundwork for the longterm health of freestyle.

The FPA can be a catalyst for greater participation in freestyle by supporting the spread-the-jam projects of its members. Membership money should be used for grants that fulfill our educational goal. Not enormous amounts but micro-grants that make a project happen.

For instance, what if a compelling local disc program can be set up in a city, but only if a local freestyler can spend time planning with the city during work hours? If the freestyler cannot afford to take time off from work, the entire program will not happen. The FPA can be a catalyst for creating that program with a micro-grant that compensates the freestyler for his lost wages. But if the FPA gets stuck on a rigid “he should volunteer” philosophy, it misses the point. If this guy cannot volunteer for this program, there may not be anyone who can replace him in his area. Our sport loses a great opportunity. The FPA has to step in and make success happen, even by compensating people for their time.

Freestyle have been fortunate to have amazing design talent on the FPA Board throughout the years, but that talent is stretched to its limits. What happens if a non-designer has a local or regional project that needs a professional look to succeed? An FPA grant needs to be an option for helping hire the talent necessary for spreading the jam.

Everyone understands the organization has limited resources. Hard decisions will be made. That’s what happens with grants. Many worthy projects will not get funded, but more importantly many will get funded and will do a great service to our sport

Beyond granting money, the FPA needs to partner with project creators to help them acquire outside grant money, to go beyond the FPA’s limited finances. A grant proposal written by a freestyler in partnership with the FPA has a much greater chance of success than if the freestyler sent it out as an individual.

The FPA needs to parlay grantmaking and grantseeking into corporate matching relationships. As a non-profit, it will be eligible for matching gift programs from the employers of some freestylers. Members of the footbag community are benefiting from these matching gifts right now; disc freestyle should do the same.

Right now, the FPA is a dormant organization. Sanctioning a world championships, collecting membership money and publishing a website are not enough. Members deserve more for their annual membership fee beyond a disc and some promotional items. One way to give more value to members is to fund projects that support the sport’s growth. An FPA membership becomes a lot more meaningful if we know the organization is putting our money to work.

The FPA needs a story to tell, and the way we write that story is by partnering with enthusiastic people to fulfill the FPA’s educational mission in a professional way.